Charlie Kaufman Quotes

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn’t what I was going to do and I went to the B.F.A. film program at N.Y.U.

I want to try it to see what it’s like and see what my stuff looks like when I take it from inception to completion.

I’ve kind of come to the conclusion that what passes for realism in movies has nothing to do with reality and that my stuff is more realistic than that.

I don’t subscribe to anything. I sit there and I try to think about what seems honest to me.

I’m not a celebrity. I’m intentionally and defiantly not a celebrity. I don’t have any interest in it. I don’t have any talent for it. I keep my personal life out of my public life as cleanly as I can.

I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don’t learn to love each other or themselves.

Before you start production, you have characters you have created without actors in mind, then all of a sudden you’ve got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you’ve written.

Sometimes I don’t like the books that I’m reading.

If you create something that is asking for people to respond as they’re going to respond, you have to allow them to respond as they’re going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That’s just the way the world is.

I was trying to figure out what a memory feels like.

I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I’m not sure that all directors do.

I try to make things interesting and thought-provoking.

I want to create situations that give people something to think about.

I do like escapism. I like going to the movies on a Friday night and seeing something fun.

I think if something resonates, even if it’s surreal, it’s because it is relatable and I think that that’s a core issue for me.

The only honest and generous thing for me to do is to give people myself. That’s all I’ve got as an artist, so I want to do that in an unflinching way.

When I’m writing, I’m trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that’s how life is lived, you know?

I have a personality that tends to be somewhat compulsive, and I do tend to think in a circular way. I dwell on the same things over and over and I try to figure out different ways of looking at the same issue.

I have a personality that tends to be somewhat compulsive, and I do tend to think in a circular way. I dwell on the same things over and over and I try to figure out different ways of looking at the same issue.

Sometimes I don’t like the books that I’m reading.

I think generally I’m kind of interested in subjective experience, what goes on inside someone’s head, that being all they really know of the world.

I try to make things interesting and thought-provoking.

We try to organize the world, which isn’t organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don’t think we can avoid doing that.

I wanted to deal with someone’s idea of their relationship.

I’m not into extreme sports or something. I just live a quiet life.

There’s this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn’t really interest me. To me, it’s kind of like saying, ‘Well, when you do a painting, you always need to have sky here, the person here and the ground here.’ Well, you don’t.

I have a tendency to hire people who tend to be unattractive to the studios. Maybe this is a bad idea.

I graduated from college in 1980.

I think of myself as a guy who tries to write screenplays and now has tried to direct one. Anything more than that is meaningless and it gets in the way of being a real human being.

I do have some theatrical background. I’ve written plays and seen plays and read plays. But I also read novels. One thing I don’t read is screenplays.

I think if I’ve worked anything through with screenwriting it’s that I’m not going to be able to work anything through.

I do throw out a lot of ideas, and I forget completely about them.

The only honest and generous thing for me to do is to give people myself. That’s all I’ve got as an artist, so I want to do that in an unflinching way.

I graduated from college in 1980.

You are what you love. Not what loves you.

I like titles that are a little difficult, because it’s kind of counterintuitive.

My time on the set is the least of my involvement. Most of my time is in pre-production and post-production.

I don’t subscribe to anything. I sit there and I try to think about what seems honest to me.

It occurred to me that every work of art is a synecdoche, there’s no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can’t think of an exception to that.

I like titles that are a little difficult, because it’s kind of counterintuitive.

I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don’t learn to love each other or themselves.

I’ve had to deal, a lot, with my own sense of intimidation at meeting famous people – especially actors, but really any famous people.

I’m not a celebrity. I’m intentionally and defiantly not a celebrity. I don’t have any interest in it. I don’t have any talent for it. I keep my personal life out of my public life as cleanly as I can.

It occurred to me that every work of art is a synecdoche, there’s no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can’t think of an exception to that.

When I’m writing, I’m trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that’s how life is lived, you know?

I don’t write genre stuff in any form. I’m not interested in it. I always try to do the opposite of that.

I have ideas written down some places, but usually I can’t find them. I’m not very organized.

I’m in my mind a lot. I live there.

I think you just assume that your memory is just sort of a video playback of your experience, but it’s nothing like that at all. It’s a complete refabrication of an event and a lot of it is made up, because you’re filling in spaces.

The way I write is very much without kind of a goal. I have something I’m interested in and then I decide I’m going to explore it. I don’t know where the characters are going to go, I don’t know what the movie is going to do or what the screenplay is going to do. For me, that’s the way to keep it alive.

There’s no way to approach anything in an objective way. We’re completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.

I like actors – I used to be one.

Everything I’ve written is personal – it’s the only way I know how to write.

I’m in my mind a lot. I live there.

I want to try it to see what it’s like and see what my stuff looks like when I take it from inception to completion.

I have a lot of health anxiety.

Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don’t have to make when you’re writing.

I think if I’ve worked anything through with screenwriting it’s that I’m not going to be able to work anything through.

So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.

I don’t write genre stuff in any form. I’m not interested in it. I always try to do the opposite of that.

We have the script, we have the actors, and we’re trying to figure out what this is, and you don’t know what it is. You have to be open to what it’s going to become rather than have this thing that you’re trying to get to, which is boring.

I want to create situations that give people something to think about.

I think I’ve had pretty good experiences for the most part with the people who have directed my screenplays.

I think you just assume that your memory is just sort of a video playback of your experience, but it’s nothing like that at all. It’s a complete refabrication of an event and a lot of it is made up, because you’re filling in spaces.

I don’t think screenwriting is therapeutic. It’s actually really, really hard for me. It’s not an enjoyable process.

I don’t think screenwriting is therapeutic. It’s actually really, really hard for me. It’s not an enjoyable process.

Constantly talking isn’t necessarily communicating.

Everything I’ve written is personal – it’s the only way I know how to write.

There’s theater in life, obviously, and there’s life in theater.

I have a lot of health anxiety.

I tend to not only read reviews, but also every little stupid thing online. It’s a very bad idea, and there’s a lot of angry people in the world. And it’s weird to absorb all that weirdness.

I’m trying to tell a story and do it truthfully.

I’m old enough, by a long shot, to remember going to the library and spending days researching. If I was looking for a line from a poem or something else I needed, that would be the trip I would have to take.

I wanted to deal with someone’s idea of their relationship.

As a kid, I had a background in theater.

I do throw out a lot of ideas, and I forget completely about them.

Constantly talking isn’t necessarily communicating.

I think if something resonates, even if it’s surreal, it’s because it is relatable and I think that that’s a core issue for me.

There’s no way to approach anything in an objective way. We’re completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.

I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn’t what I was going to do and I went to the B.F.A. film program at N.Y.U.

We try to organize the world, which isn’t organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don’t think we can avoid doing that.

I really don’t have any solutions and I don’t like movies that do.

I feel like I want to keep moving toward idiosyncracy. Personal, personal, personal.

I think that people have expectations of themselves and other people that are based on these fictions that are presented to them as the way human life and relationships could be, in some sort of weird, ideal world, but they never are. So you’re constantly being shown this garbage and you can’t get there.

I think I’ve had pretty good experiences for the most part with the people who have directed my screenplays.

I’m trying to tell a story and do it truthfully.

There’s this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn’t really interest me. To me, it’s kind of like saying, ‘Well, when you do a painting, you always need to have sky here, the person here and the ground here.’ Well, you don’t.

I actually think I’m probably more interested in structure than most people who write screenplays, because I think about it.

As a kid, I had a background in theater.

There’s theater in life, obviously, and there’s life in theater.