Julian Bream Quotes

Here, we’ve compiled a list of the best Julian Bream Quotes. The wide variety of quotes available makes it possible to find a quote to suit your needs. You’ve likely heard some of the Julian Bream Quotes before, but that’s because they truly are great.

1
When my father saw that I was interested in following s

When my father saw that I was interested in following such a career he had many reservations. His feeling was that there was no chance to earn a livelihood unless I played jazz or something similar.
Julian Bream
2
I enjoy having a large audience, but I don’t do anything special to attract them.
Julian Bream
3
Michael Berkeley‘s ‘Sonata’ is very – what can you say – melodious.
Julian Bream
4
The lute is tuned differently than the guitar and of course it has many more strings.
Julian Bream
5
I learned mainly by listening to Andres Segovia and that was a great inspiration. And also the gypsy jazz guitarist Django Reinhardt.
Julian Bream
6
You have to get the attention of the audience. You have to make sure they know you are starting. You have to achieve a rapport with them on the very first chord.
Julian Bream
7
My father played one of the first electric guitars in England. He built his own in 1940, because you couldn’t buy them in those days. He used three telephone pickups under the strings, which gave chronic distortion on chords but was quite good on single notes.
Julian Bream
8
I devoted my life to music for a reason, and the reason wasn’t because I wanted to get on or make money, but to try to fulfil myself and also to give people pleasure. That’s been my credo.
Julian Bream
9
The guitar was not treated very seriously as a concert recital instrument.
Julian Bream
10
I was born understanding the language of music.
Julian Bream
11
My own style on the guitar grew out of my experience with the lute. I suppose some people might say I play each like the other. And of course I know a lot of guitar fans who wish I would stop playing the lute and vice versa.
Julian Bream
12
I think Englishmen or Northern Europeans in general are more naturally attracted to the lute than to the guitar, which always seems Spanish exotic – to our ears.
Julian Bream
13
I found I could speak through the guitar. Because you have the feel of the strings with both hands and it’s up against your solar plexus, it’s real, and so there’s nothing between you and the music.
Julian Bream
14
I was passionately interested in Elizabethan history at school, so it was natural for me as a musician to take interest in the music of that period.
Julian Bream
15
Ideally the performer has a special function. Which is to bring the listener to the edge of that experience and to open the doors of this perception in such a way that those who wish to enter can.
Julian Bream
16
Whatever it is, music should sound spontaneous, I’ve derived a great deal of pleasure from playing jazz and having the knowledge of that spontaneity.
Julian Bream
17
It’s quite a feeling to be all alone on the stage!
Julian Bream
18
I went to college to study the piano and cello.
Julian Bream
19
The future of the guitar is every bit as important as its past.
Julian Bream
20
I’ve had a lovely life. I’ve had a great life.
Julian Bream
21
I used to drive myself about in an old Austin van… and then have to sleep in the back because I couldn’t afford a hotel.
Julian Bream
22
What is a seemingly conservative Englishman doing, leading the world in the mastery of a classically Spanish instrument? Debussy wrote some of the best Spanish music, and the only time he was ever in the country, he saw a bullfight which made him ill.
Julian Bream
23
My father was a very clever man. My mother was not clever. An extraordinary woman, but simple.
Julian Bream
24
I think that the first World War put an end the kind of music that Mahler, Bruckner and Richard Strauss were writing. A change of fashion was needed.
Julian Bream
25
Midwesterners make good audiences.
Julian Bream
26
A violin is tuned to a fifth. But a guitar is tuned to a fourth with a one-third middle. It is very perplexing to composers.
Julian Bream
27
Your experience of life is to a large part distilled into your performing. As you grow older, you concentrate on aspects of music that you perhaps only touched on earlier.
Julian Bream
28
I much rather coach a string quartet in an interpretation of Haydn or Beethoven than to teach the guitar.
Julian Bream
29
The Nocturnal’ was very nearly beyond me.
Julian Bream
30
Some composers end up writing for the guitar as they would write piano music or, more often, harp music. It isn’t the same.
Julian Bream